Naushad

Naushad - The Genius Of Naushad - MOCE 1092 - Odeon First Pressing - LP Record

Naushad Ali (25 December 1919 – 5 May 2006) was an Indian music director for Hindi films.[1] He is widely considered to be one of the greatest and foremost music directors of the Hindi film industry.[2] He is particularly known for popularising the use of classical music in films.[3]His first film as an independent music director was Prem Nagar in 1940.[4] His first musical success film was Rattan (1944), following it up with 35 silver jubilee hits, 12 golden jubilee and 3 diamond jubilee mega successes. Naushad was conferred the Dadasaheb Phalke Award and the Padma Bhushan in 1982 and 1992 respectively for his contribution to the Bollywood film industry.Naushad was born and raised in Lucknow, a city with a long tradition as a center of Indian Muslim culture. His father, Wahid Ali, was a munshi (court clerk). As a child, Naushad would visit the annual fair at the Deva Sharif in Barabanki, 25 km from Lucknow, where all the great qawwals and musicians of those days would perform before the devotees. He studied Hindustani music there under Ustad Ghurbat Ali, Ustad Yusuf Ali, Ustad Babban Saheb and others. He also repaired harmoniums.As a lad, he joined a junior theatrical club and was appointed the club's music maestro for their theatrical presentations. He used to watch silent films at the Royal theatre in Lucknow. Theatre owners would hire a team of musicians to play the tabla, harmonium, sitar and violin. The musicians would watch the film first, make notes, finalize the scales required. When the show began in the evening, they would sit in front of the screen and play music for the scenes. This was a great way to be entertained and learn music at the same time. It made him grasp the nuances required in composing a film's background music score.In time Naushad formed his own Windsor Music Entertainers or just Windsor Entertainers, so named because he had seen the word "Windsor" around Lucknow and liked its ring. It led to the Indian Star Theatrical Company in a theatre at Golaganj colony in Lucknow. He was trained under Laddan Khan until he became capable of working independently as a composer. There he also developed the sense to pick rare musical jewels from the folk tradition of Punjab, Rajasthan, Gujarat and Saurashtra during the company's sojourns in those regions. The travelling players got as far as Viramgam in Gujarat, where they discovered penury, even after selling off theatrical props and musical instruments. The company limped back to Lucknow through the kindness of one ofNaushad's friends.Naushad had already become a cinema fan in the silent era and then, in 1931, Indian cinema got voice and music that further fascinated the 13-year-old boy. But his family was strict follower of Islamic diktat of prohibition of music and his father gave him ultimatum to leave music if he wanted to stay at home. He ran away to Mumbai in late 1937 to try his luck as a musician.In Mumbai, he initially stayed with an acquaintance from Lucknow (U.P.) at Colaba and after a while, shifted to Dadar opposite the Broadway theatre where he would sleep on the footpath. He assisted music director Ustad Jhande Khan who was at the peak of his success those days, at a monthly salary of Rs 40. The producer was a Russian and the studio was at Chembur. The film could not be completed. Naushad was a piano player so he worked as a pianist in composer Ustad Mushtaq Hussain's orchestra. He then polished off an unfinished film score and got a credit as assistant to Hussain. Then the film company collapsed. Composer Khemchand Prakash took him on as his assistant for the film Kanchan at Ranjit Studios at a salary of Rs 60 per month, for which Naushad remained extremely grateful and in interviews, he had called Khemchand his guru.His friend, lyricist D. N. Madhok, trusted Naushad's unusual talent for composing music and introduced him to various film producers. Chandulal Shah, the owner of Ranjit Studios, offered to sign Naushad for one of his forthcoming films. Naushad composed a thumri for this film, "Bata de koi kaun gali gaye Shyam", but the film never got on the floors. He was assistant music director for the Punjabi film Mirza Sahib (1939).He composed for his first independent film Prem Nagar in 1940 that had a story set in Kutch for which he did a lot of research into the folk music of the area. With A.R. Kardar's film Nayi Duniya (1942), he got first credit as "music director" and he began to work regularly for Kardar Productions. He however had a flexibility that he could work outside Kardar Productions and this arrangement continued ever after. He first got noticed with A.R. Kardar's film Sharda (1942) wherein 13-year-old Suraiya debuted with the song "Panchhi Ja" for the playback for heroine Mehtab. It was Rattan (1944) that took Naushad right to the top and enabled him to charge Rs 25,000 a film during those days.Film expert and author Rajesh Subramanian opines that Kardar production spent Rupees seventy five thousand in 1944 to make Rattan. The music by Naushad saheb was such a phenomenal hit that the company earned Rs 3 lacs as royaltyfrom gramophone sales in the first year.But his Lucknow-based family remained against music and Naushad had to hide from his   family the fact that he composed music. When Naushad got married, the band was playing the tunes of the super hit songs of Naushad's film 'Rattan'. While Naushad's father and father-in-law were condemning the musician who had composed these songs, Naushad dared not tell them that it was he who had composed the music.From 1942 until the late 1960s, he was one of the top music directors in Hindi films. While he did less than a hundred films during his lifetime, 26 of those films celebrated Silver jubilees (25 weeks run) – 8 celebrated golden jubilees (50 weeks run) and 4 celebrated diamond jubilees (60 weeks run). (inclusive count – a diamond jubilee film also celebrated Silver and Golden jubilee)Naushad worked with several lyricists, including Shakeel Badayuni, Majrooh Sultanpuri, D. N. Madhok, Zia Sarhadi, and Khumar Barabankvi.Mother India (1957), for which he had composed music, was the first Indian film that got nominated for Oscar.In 1981, Naushad was awarded the Dadasaheb Phalke Award for his lifetime contribution to Indian cinema.He composed the tunes of Taj Mahal: An Eternal Love Story (2005) at the age of 86.Amongst his assistants, Mohammed Shafi, Jerry Amaldev and Ghulam Mohammed stand out prominently.Five films have been made on his life and work. Biographical books published are Dastaan-E-Naushad (Marathi) by Shashikant Kinikar; Aaj Gaawat Man Mero (Gujarati); Hindi and Urdu biographical sketches in Shama & Sushma Magazines respectively, titled "Naushad Ki Kahani, Naushad Ki Zubani"; the last one was translated into Marathi by Shashikant Kinikar. Kinikar also came up with a book titled "Notes of Naushad" which puts together some interesting anecdotes of Naushad's life.

Naushad also composed background music for the TV serial "Akbar The Great" telecast in 1988 which was directed by Akbar Khan, brother of Hindi film stars Sanjay Khan and Feroze Khan as also "The Sword of Tipu Sultan" produced and directed by Sanjay Khan and Akbar Khan which was telecast in 1990 and became very popular.Last days Naushad died on 5 May 2006 in Mumbai. He was buried at the Juhu Muslim cemetery.[6]He is survived by six daughters Zubeda, Fehmida, Farida, Sayeeda, Rashida, and Waheeda and son Rehman Naushad, Raju Naushad & Iqbal Naushad. Rehman Naushad being the eldest of all assisted him in some of his films. Also, Naushad composed music for two movies directed by Rahman Naushad, My Friend (1974) and Teri Payal Mere Geet (1989).Naushad had requested the Maharashtra State Government to sanction a plot for an institution for promoting Hindustani music. This was sanctioned during his lifetime and the 'Naushad Academy of Hindustani Sangeet' was formed.

Record Details

Title

Naushad - The Genius Of Naushad - MOCE 1092

Singer

Noor Jehan, Shamshad Begum, Lata Mangeshkar, Suraiya, Mukesh, Mohd. Rafi, Karan Deewan & Zohrabai Ambalewali

Music

Naushad 

Lyrics

Tanvir Naqvi, Shakeel Badayuni, Majrooh Sultanpuri & D N Madhok

Releasing Year

1962

Genre

Film Hits

Language

Hindi

Label

Odeon First Pressing

Made In

India

Manufacture

The Gramophone Company Of India Ltd.

Serial No.

MOCE 1092

Side One

• Jawan Hai Muhabbat (Anmol Ghadi)

Noor Jehan

• Bachpan Ke Din (Deedar)

Shamshad Begum & Lata Mangeshkar        

• Murliwale Murli Baja (Dillagi)

Suraiya

• Gaye Ja Geet Milan Ke (Mela)

Mukesh

• Dil Toote Na (Andaz)

Mukesh

• Panchhi Ban Men (Babul)

Lata Mangeshkar

Side Two

• Chhod Babul Ka Ghar (Babul)

Shamshad Begum

• Aaja Meri Barbad-i-Mohabbat (Anmol Ghadi)

Noor Jehan

• Maan Mera Ehsan (Aan)

Mohd. Rafi

• Sawan Ke Badalo (Rattan)

Karan Deewan & Zohrabai Ambalewali

• Suhani Raat Dhal Chuki (Dulari)

Mohd. Rafi

• Jhoom jhoom Ke Nacho (Andaz)

Mukesh

Specification

Size

12 Inches

Speed

33 RPM

Record Condition

Excellent

Cover Condition

Excellent